𝓢𝓾𝓶𝓶𝓮𝓻 𝓛𝓸𝓿𝓮-𝓘𝓷
Toronto Dance Love-In is hosting a micro Summer Love-In Festival from 𝗝𝘂𝗻𝗲 𝟮𝟰 - 𝟮𝟳, 𝟮𝟬𝟮𝟲. Come through for physical training, somatic practice, choreographic exchanges, performance, and community connection at beloved 𝑪-𝒔𝒑𝒂𝒄𝒆. The festival is designed to feed and sustain creativity, deepen movement practice, spark unexpected discoveries, and truly nourish joy. This year’s version is short, sweet & mighty.
June 24 - 27, 2026
C-space at 101 Florence Street, Toronto, ON M6K 1P4
when & wheresessions-
Movement into Matter
Familiar objects - whether they are tools that we use or materials that we shape - have the potential to hold and enfold the emotional, merging with the mover. Wielding a hammer, a keyboard, a touchscreen or a piece of clay- the hybridity between the human body and the sphere of objects to which we adhere on a daily basis is made palpable in this session. Working with clay, participants will move in ways that shape the material before then, in turn allowing their movements to be shaped by the material demands of the clay. This playful intersection of artist and matter is intended to evoke a strong sense of collaboration between the human and the non-human performer, allowing us to perceive the clay as an actor in our improvisations bringing its own unique agency into the room.
who is this for?
No previous performance experience necessary. This session calls out to all who are curious about playing with movement and clay.
Please wear comfortable clothing that you won't mind getting into contact with clay. There will be options to work with the clay either at a table or on the floor, or in other ways as access needs arise. Please communicate specific access needs to the Love-In team via email - info@tolovein.com -
Coordinating Bodies/Objects
Our time together will unfold in two parts. It is guided by establishing unconventional shared logics between a body and an object (electrical wires).Part One: Working through movement coordinations we will dance to morph between simple and complex patterns. We will traverse across the room to music. A phrase combining multiples of these elements may emerge.
Part Two: How does our body become an object? Or vice versa, How does an object become our body? Using faulty electrical wires we will work in relation with these objects to begin understanding these questions. -
Social Choreography Lab
Social Choreography Lab hosts an environment for developing choreographic scores with and for social bodies. Social bodies is a term for all affective bodies in motion such as: humans, more-than-humans, plants, sites, places, materials, objects, atmosphere, and weather. Scores, here, can enact an event and, even without activation, appear poetic in text or design. They also hold potential for gesture and action; and act as parameters for engendering reciprocal relationality.
Through movement exercises, guided improvisation, dancing with objects, score-reading and -writing participants will work to generate and uphold a specific motional relationship that decentralizes human choreographies.
who is this for?
This is a session for folks interested in movement and exploration through the performance of scores. Participants are invited to perform or witness as they desire. The session will be guided, but open for folks to interpret and move-through how they desire. -
un-tidaled
In the digital space, we will engage in a collective reading performance experiment.Think durational performance meets speech act theory, meets “reading group”.
Participants are invited to bring one page critical/poetic readings discussing movement in any way or form. Sent prior to the facilitation, participants improvise the practice of collective reading together, while sporadically other participants may turn their cameras off to engage in a response-based durational movement exploration, then turn their cameras back on to participate in the reading and listening.
Redefining performance and roles of audienceship, this experiment offers the space to simply exist at your own pace while exchanging knowledge. Practicing the disjunctive autonomy of the body within the digital space, we create a time to play within the attunements and questions of “who is our research for?”
Digital interruptions happen by accident quite frequently in online meetings, so how can we sit with them in the light of a digital improvised performance, where the goal of the score is to simply listen.
who is it for?
Any level. For artists, poets, scholars, movers, and all enthusiasts. Access anywhere in your own space.
accessibility for participants
Join the session with a writing surface (notebook/journal/paper/device), writing/drawing device (pen, pencil, crayons, chalk, etc.), tech device to log into digital session (laptop, phone, etc.)
We will be using our voices, we encourage you to have access to water as needed.We will start the session through sharing research tied to this experiment, and then explore the experiment through collective reading out loud together and off-camera performance, then end the session with a brief reflection session.
When registering participants must email a picture or file of their one page reading to jasmine@tolovein.com by June 24, 2026. -
DanceMore (Embody Dance) - TRANSlating the world into movement
DanceNow seeks to provide dance to everyone at every stage of their journey by approaching dance as a medium of understanding the world around us and our own internal experiences. The workshop will be part community building/creative research that supports all kinds of dance goals and artistic practices. It will include score building and process development for and by emerging artists. Participants will get to explore somatic driven movement, structured improvisation and learning experts of developing work. DanceNOW is the premier installment of embody dance, which will start in the fall of 2026, and will support emerging queer, trans and BIPOC emerging dance artists and youth in the GTA.
who is this for?
DanceNow is for any and all participants and reasonable accommodations can and will be made within the material for participants with:Children, reduced mobility, mobility aids), sensory needs
It is within the mission to include everyone in art making however they can and wish to be included. This workshop is open to enthusiastic observers/supporters, partial participation and modified/adaptive choices.
Participants are encouraged to arrive with:
Comfortable moving clothes, pen/pencil/writing utensil, waterbottle, snacks as they see fit
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desire dance
Desire dance. A chance to meet a sweet home inside yourself. A chance to touch the parts of you that want to be held, heard, seen, and dance. Space to feel. To press into your own existence. To breathe, see, sweat, pulse, trance, and charge up. A continuous flow. A place to give a little… or a lot. Your chance to dance. Available to something big and small, simultaneously.
who is this for?
No dance experience needed. A willingness to listen and try and enjoy is all that’s needed.
Click the name of the session artist to learn more about each session:
creation process
with performance opportunityKéïta Fournier-Pelletier // JUNE 27 11:00am-6:30pm
looping impulses
This process-based session explores impulse and instincts within the context of movement and sound creation as a method for composition. Participants will engage all senses through task based improvisation creating a group composition using live and recorded sound with a loop pedal, voice, and movement, guided by curiosity.
This session includes a creation process 11:00am-4:00pm (1 hour lunch break) and relaxed performance opportunity PS: we are all IN FLUX at 5:00pm.
who is this for?
Movers, musicians, and those interested in exploring movement and sound through collaboration and performance. Participants are encouraged to bring layers or knee pads, if needed. Participants are also welcome to bring instruments or items you are curious about exploring sound with, no music experience necessary.
C-space on Florence has an accessible entrance with an automatic door and accessible washroom. The mainspace has a 2.5-inch rise to access the dance floor and is negotiable for mobility device use. There are changing rooms, a kitchen with a fridge, and water access. It has an accessible entrance and non-gendered wheelchair accessible washroom.
If require ASL interpretation please contact us by June 16 at info@tolovein.com.
accessibilitySummer Love-In is open to participants of all levels and curiosities. Participants can expect a welcoming environment that prioritizes access, creativity, community building while nurturing choreographic process and experimental dance practice.
who is this forWe strive to provide pay-what-you-can access, varied accessibility measures, and a welcoming environment. Love-In offers a pwyc sliding scale by using the discount codes. You can find details below to help you decide how much to pay.
pricing-
ABUNDANT — add donation, no discount code used at check out
SUPPORTER — add donation, no discount code used check out
REDUCED — 25% off
SOLIDARITY — 50% off
ACCESS — 100% off (contact info@tolovein.com for barrier free registration) -
We offer a pwyc sliding scale by using the discount codes listed below at checkout. We ask that community members with a consistent income or salary pay at the regular price so that we can support community members with less access to income, wealth, or assets to attend barrier free. Thank you for locating yourself where best represents your economic situation and paying accordingly. This supports making our programs available to more folks for years to come!
abundant
This rate reflects a medium increase on the rate for the session. If you have access to a salary, savings, investments, assets, or generational wealth, paying this rate will subsidize the attendance of someone for whom cost is a barrier to attending. If you are moved to donate $10 or more, there is an option to do so.
supporter
This rate reflects a moderately increased rate for the session and will allow us to partially subsidize the attendance of folks for whom cost is a barrier. Please add a donation of $5 if you have access to a salary, savings, investments or assets.
regular
This rate reflects the regular cost for the session. Please select this rate if you have access to a regular income and are able to meet your basic needs around food, housing and transportation.
reduced
This rate reflects the reduced cost for the session. Please select this rate if you are able to meet your basic needs around food, housing and transportation, but have gaps in your income and no access to savings or familial financial support.
solidarity
This rate reflects the solidarity cost for the session. Please select this rate if you are able to meet your basic needs around food, housing and transportation, but don't have access to regular income.
access
The option to access this session at no cost ensures that members of our community for whom price is a barrier to participation are able to join us. Please email us at info@tolovein.com to receive this option.
about the artists
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danielle Mackenzie Long
danielle Mackenzie Long uses performance, new media and film to create work that surpasses gendered bodies through visual experimentation and expanded audience access. They hold gratitude to the stewards of the land that they currently reside on; the stolen and unceded territories of the Sḵwx̱wú7mesh, Səl̓ílwətaʔ/Selilwitulh, and xʷməθkʷəy̓əm nations. Shifting between performing, producing and computational creation they have worked with Action at a Distance/Vanessa Goodman, Shion Skye Carter, self checkout, New Works, FORM, Plastic Orchid Factory, Notebook, and Jasmine Liaw among others.
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Jasmine Liaw
Jasmine Liaw is an interdisciplinary artist moving fluidly between roles of director, producer, designer, and curator in contemporary dance performance, new media, and experimental film. Evidenced in collaboration and community, her practice investigates fractal movement and language within transcultural narratives intersecting her Hakka-Chinese diaspora, queer temporalities and ecologies, and technological time displacement. Select presentations include Creative Body Institute with AADK Spain, MOCA Toronto, The Asian Arts & Culture Trust with Holt Renfrew, Northwest Film Forum (USA), Gallery 44, Images Festival, Interaccess, Pleasure Dome, Experimental Series - Salt Lake City (USA), Thessaloniki Cinedance International (Greece), and more.
Liaw is a recipient of the 2023 Emerging Digital Artists Award presented by EQ Bank and Trinity Square Video, a 2025 finalist for the Interaccess Media Arts Prize, and recipient of the 2026 Steven B. Jung Award presented by Vancouver Asian Canadian Theatre. -

Johnny Forever Nawracaj
Johnny Forever Nawracaj (they/them) is a nonbinary Polish-born performance and media artist currently based in Tiohtià:ke/Montréal. Drawing on personal experiences of labour and loss, their practice builds metaphors around the precarity of social structures. Combining queer femme tropes with construction materials, their most recent work explores the relationship between the labouring body and the built environment. Over the last fifteen years Forever has performed and shown work internationally at festivals, galleries, museums and community spaces. They often collaborate with their partner, sound artist Gambletron, merging FM radio transmission with digital media to conjure surreal soundscapes, installations and performances. Forever’s work emerges from a dedication to research practice. They hold an MA in art history from Concordia University and an MFA from USC Roski School of Art and Design. Visit @joachim_magdalena to connect with Johnny on instagram, or learn more about their work at johnnyforever.ca
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Kéïta Fournier-Pelletier
Kéïta Fournier-Pelletier is a queer, Métis, Franco-Manitoban based in Tkaronto. They are continuously discovering the role these intersecting identities play in their art as a dancer, choreographer and educator. She is the co-founder of the dance collective, Tendre Effort, with her collaborator Barbara Simms. Kéïta has a strong interest in interdisciplinary arts and combining dance with different mediums, including but not limited to music and theatre. Moving with care, sensitivity and community is at the forefront of how Kéïta creates. She curious about using improvisation and physical states as a form of performance.
Her work has been presented across Toronto, as well as Hamilton, Kitchener, Halifax and most recently Montreal. She has studied Flying Low & Passing Through with David Zambrano, in Brussels, Belgium, and continues to develop these techniques in her teaching practice to share with the Toronto dance community. -

Leelee Oluwatoyosi Eko Davis
Leelee Oluwatoyosi Eko Davis [they.them] 2 year old Moonwalker/breakdancer imitating music videos, a cultural dancer at my parents house parties to soca and calypso, playing mas at 12, finding techno disco parties in germany at 15….raving in the 90’s. All that to arrive in a dance studio for the first time at 19. A life of dancing, my eternal joy, my saviour, my heartbreak, my love.
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Rowan-Muriel
Rowan-Muriel is a mixed-race Black, trans and queer dancer, choreographer and community worker living, working and learning in Tkaronto. Rowan-Muriel is a community worker with the George Chuvalo Neighborhood Center where he works in their trans/gender non-confirming youth drop in program. Rowan-Muriel is a 2026 ArtReach Community Arts Programming Grant ($10,000) to develop his non-profit, Embody Dance which seeks to provide industry relevant dance/performance art experience to LGBTQ, BIPOC emerging artists and youth. He has also facilitated the Toronto installment of self checkout, a dance and performance art program, through DanceWorks to provide youth with exposure to contemporary dance. Rowan-Muriel has choreographed for Dance Immersion and Dances for the Eilers Dance Theater in a variety of projects. He continues to expand his choreographic toolbox at York university. With a practice heavily rooted in improvisation, he has performed with Meaningful Movement, CoExsit and The Colab Project. Rowan-Muriel draws upon their background in modern/contemporary training and their work within the queer community to create accessible, affirming and expansive performance art spaces.
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Lauren Runions
Lauren Runions (b. 1989) is a dance artist, choreographer, facilitator, and arts administrator based in Tkarón:to/Toronto and sometimes Kjipuktuk/Halifax. Lauren has choreographed site-specific works for MOCA, Nuit Blanche, Long Winter, Radiant Rural Halls, and Nocturne. As a dancer, they have most recently worked with Susannah Haight, pounds per square inch performance/Gerry Trentham, Christopher Willes & Adam Kinner, SLOW DANCE LAB/Sally Morgan, and Jacinte Armstrong.