
Welcome to PS: we are all here at Pia’s! PS is Toronto Dance Love-In’s annual performance series showcasing emergent & experimental dance works. This year, we are featuring our Collective Practice Project artists along with a work by a part-time Lover!
The duration of tonight’s performance is approximately 90 minutes with an intermission.


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ᑮᓯᑯᕽ ᑳᐯᑖᑯᓯᐟ / Johnny Morin with Nathan Hiltz
Johnathan and Nathan have played extensively together all around the city at various venues. They encapsulate the beauty and depth of jazz music and dance and strive to honor the traditions of jazz. -
ʔa·kinq̓uku
Samantha Sutherland
Fire ignites, grows, burns, and devours. Once it decays, what destruction does it leave behind? How does the earth regrow out of the ashes?
ʔa·kinq̓uku, the word for fire in the Ktunaxa Language, is a solo that follows the life cycle of a wildfire, and the regrowth that occurs after. This piece was created in reaction to the wildfire that burned through the Samantha’s home community of ʔaq̓am in the summer of 2023.
credits
composed by Edgardo Moreno
choreography and performance by Samantha Sutherland
costume by Cindy Sutherland
created with support of the Paktinam Choreographers Circle with Raven Spirit Dance & initial research supported by Kahawi Dance Theatre's "Inviting the Land to Shape Us" Creation Lab -
A place that exists only in moonlight
Tendre Effort: Kéïta Fournier-Pelletier & Barbara Simms
This work-in-progress is a duet that explores the shapes, positions, and relationships found in Greek and Roman classical sculptures. Many of the selected and researched statues depicted stories of Greek mythology that describe “forbidden love” such as Psyche and Cupid, and Venus and Mars. Many also included queer themes scattered throughout these narratives, specifically in the stories of Sappho, Hermaphroditus, and Dionysus. With these themes in mind, this works plays with both the rigidity of recreating shapes made by marble, and the humanity that exists between two people. It uses stillness and repetition as a vehicle to move between these two states.
credits
dlp1.1 by William Basinski -
intermission
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man-made sense
Arin Aronyk
room ritual
credits
who they loved deeply by spresso, Proceed by Speakers Corner Quartet, Eclipse of Flowers by Psychic TV -
Golden Rez Dog
Marcus Merasty
the old rez dog
knows our stories
of days before the rez
travelling by team to traplines
cold mornings eating
whitefish by the fire
not many people around then
mostly animals
beavers, moose, rabbits, wolves
and birds
geese, ducks, crows, chickens
it was a simple life
people depending on each other
for food and love
lots to do
packing moss between logs
sewing rabbit fur onto mukluks
storing berries, dry meat
smoking fish
it was good
enjoying life
one day at a time
living the sunrises and sunsets free
but then changes came
we were boxed in
nowhere to go
given a rez house
on rez land
became a rez dog
credits
sound & outside eye by George Stamos

the performers
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Arin Aronyk (she/they/he) is a co-founder of OVERSIZE.LOAD collective, known for blank space and Dance in a Day. Part-time lover with Toronto Love-in, freelance girly. Gemini, [redacted], funny, multidisciplinary, live laugh loving.
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Kéïta Fournier-Pelletier (they/she) is a queer, Métis, Franco-Manitoban artist from Winnipeg, based in Tkaronto. They are continuously discovering what these intersecting identities mean to them, and the role they play in their art as a dancer, choreographer and educator. She is a 2020 graduate from Dance Arts Institute (formerly the School of TDT) and holds a BFA in Performance and Choreography from York University. Her most recent work, Pillar of You, has been presented at the Citadel Dance Mix, Allies and Friends in Toronto, as well as Kitchener and Hamilton. They have worked with national and international choreographers like Aria Evans, Heidi Strauss, Marjolein Vogels, among others. Her most recent credits include touring with the Métis contemporary dance company, V’ni Dansi. She has also collaborated with Theatre Passe Muraille, and lemonTree creations. Kéïta is interested in collaborating on processes that question power, heteronormativity, and other societal norms that reject her identity.
photo credit: Kendra Epik -
Marcus Merasty (he/they) is a Nēhithaw/Cree performer, choreographer, and multidisciplinary artist, with ancestral roots from Wapâwikoscikanihk/Pelican Narrows in northern Saskatchewan. The Cree people of northern Saskatchewan are also known as Assin’skowitiniwak, which translates to “People of the rocky area”. Marcus’ journey into the world of dance began in 2014 through a mentorship with dance artist Robin Poitras and Metis visual artist Edward Poitras, Co-Artistic Directors of New Dance Horizons (NDH). He studied contemporary dance at The School of Contemporary Dancers in Winnipeg, MB, graduating in 2021. A Past Artist-in-Residence at NDH (Regina, SK). Marcus’ passion lies in exploring Indigenous contemporary dance performance and creation. In 2024 their work was presented at the Remai Modern (Saskatoon, SK) and at NDHs Stream of Dance Festival. Recently, Marcus has worked as an interpreter for; The Saskatoon Symphony Orchestra, The Globe Theatre, NDH/Rouge-gorge, and Lara Kramer. Marcus is currently based in Treaty 4 Territory/Regina, SK.
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ᑮᓯᑯᕽ ᑳᐯᑖᑯᓯᐟ / Johnny Morin is a 34 year old indigenous (Nehiyaw) tap dancer hailing from Treaty 6 Edmonton, Alberta. Now residing in Treaty 13 Toronto, Ontario, he is a force in the tap dance community and known across the country and around the world. A Dora Award Nominee, Johnathan co-produces and co directs Rhythm and Sound Dance Company alongside Cori Giannotta and also runs his own drop in classes in Toronto. His passion for the dance has brought him across the country as well as internationally as a performer and educator. Some of his accolades include Tap Ahead Festival in Düsseldorf Germany, TD Toronto Jazz Festival, Sarah Reich's Tap Music Project, Vancouver International Tap Festival, and the Toronto International Tap Festival.
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Barbara Simms (she/they) is a freelance dancer, performing artist, and choreographer currently based out of Tkaronto. As a dancer, she has a strong desire to absorb as much knowledge as possible, and to deeply understand a variance of teachings and methodologies.
Choreographically, their work is informed by a connection to the natural world and finding fascination within mundanity and redundancy. They are interested in finding moments of striking visual imagery in which bodies and natural landscapes are given equal weight and exist in relation to and alongside one another. Barbara is a 2021 graduate of the Performance Dance program at Toronto Metropolitan University.
photo credit: Drew Berry -
Samantha Sutherland (she/her) is a contemporary dance artist, choreographer, and teacher based in Tkaronto. Her ancestry is Ktunaxa and Scottish. She grew up on Coast Salish territory and graduated from the Arts Umbrella Dance Diploma Program in 2018.
Samantha began choreographing dance solo works in 2021 and has presented in festivals across Turtle Island. Some include the Matriarchs Uprising Festival, Sharing the Stage with The National Ballet of Canada, Dance Made in Canada, SummerWorks, and Weesageechak Begins to Dance. Samantha premiered her first ensemble dance work naⱡa at Citadel Spring Mix in Toronto, and later presented the work in Vancouver at the Matriarchs Uprising Festival.
She has performed in dance works by Raven Spirit Dance, Santee Smith, Alejandro Ronceria, and Jera Wolfe. She is currently on faculty at The Centre for Indigenous Theatre, and an Artistic Associate with O.Dela Arts.
photo credit: Drew Berry
the team
& thank yous
Technical Direction by Angela Xu
Production by Lauren Runions
PS Hosts: Leelee Oluwatoyosi Eko Davis & Emily Duckett
Love-In SLI team: Arin Aronyk-Schell, Johnny Forever Nawracaj, Morgyn Aronyk-Schell, Lauren Runions & Leelee Oluwatoyosi Eko Davis
We send our deep gratitude
& thanks to:
Our board
Lovers for Life
Toronto Arts Council
Canada Council of the Arts
Pia Bouman’s School of Dance
Lara Kramer
Alli Carry
The artists in tonight’s series
& you for supporting the local dance community
Love-In gratefully acknowledges that we are living, working, dancing and gathering on traditional Indigenous territory known as Tsi' Tkaronto, “Where the trees meet the water” & “The Gathering Place.” This land belongs to the Wyandot people, Haudenosaunee, Anishinaabeg, and Mississaugas of New Credit. We recognize them and any other Nations (acknowledged and unacknowledged, recorded and unrecorded) as the past, present and future caretakers of this land. Love-In stands in it's commitment to honour with our actions, do our utmost to provide safer spaces, meet our diverse community members with respect, and to act in good and reciprocal ways with our Indigenous community members. We will uplift and uphold Treaty agreements to the best of our abilities, and to continue to do better as we know better.