Welcome to PS: we are all IN FLUX at Pia’s! PS is Toronto Dance Love-In’s annual performance series showcasing emergent & experimental dance works. This year, we are featuring our Collective Practice Project artists and facilitators.
The duration of tonight’s performance is approximately 90 minutes with a short intermission. We have interpretation by TK Keslick & Jo-Ann Martin with support from GBC Volunteer Student Interpreting Services before & after the show!
the show
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Natasha “Courage” Bacchus
Boom, Resilience, Boom
This solo performance uses body percussion, rhythm, and visual gesture (boom / snap / silence) to explore the identity and resilience of a Black Deaf woman navigating oppression, stigma, and erasure. The work moves from grounding and ancestry to reclaiming power through embodied movement and presence.
Music credits: 30 Mins of Chill Afrobeat Background Music (no Copyright) -
Teagan Ariss
Hear me out
Express, retract. Face, back. Statement, question. Certainty, confusion. Seen, heard.Words mean a lot when I show them to you.
Hear me out starts with words vocalized and text written. It then delves into an evolving movement improvisation, sifting through confrontation, isolation, internal feeling, and outward expression. Cycling through modes of clarity and uncertainty, the work explores a desire for certain understanding and an acceptance with unknowing.
Music credits: Susumu Yokota (Your Twinkling Eyes and Blue Sky and Yellow Sunflower), Gia Margaret (INWIW) -
Cai Glover
Disorder
Music credits: Anusha Kamesh -
intermission
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Jaideep Goray
The Unspoken
A meditative exploration of expression beyond words, The Unspoken draws from classical Indian forms and fluid, serpentine movement to embody what cannot be said. Rooted in breath, rhythm, and internal states, the work unfolds through silence, allowing the body to become both voice and vessel. -
Juan Jaramillo
The Door
A visual ASL solo exploring transition, identity, and internal barriers. -
Love Me to Heaven
A group-based ASL dance piece focused on connection and emotional expression.
Choreography: Juan Jaramillo
Performances by: -
Ebony Gooden
the performers
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Cai Glover has been transfixed in an on-going and endless discovery of dance since he was 10 years old. Most recently, under the name of his company, A Fichu Turning, Cai has been developing expression in poetry and in a language of movement putting the dancing body to task in a search of an embodied expression of poetics. Through the transposition of language into movement we make meaning beyond the grips of the literal. He never tires of the search in finding ways to bring affect to audiences through this art form and to appeal to the varied and countless emotional experiences of the human being. As a hard of hearing artist, hearing differently has become a driving force of his artistry and originality as a mover, interpreter and
choreographer. -

Natasha “Courage” Bacchus is a very active multidisciplinary artist, former three times gold medallist Deaf Olympian Sprinter. Her theatre /TV and Film performances include Shaw Host Talk (2014), ‘The Black Drum’ with Soulpepper Theatre (2019) in Toronto and France, ‘The Two Natasha’s’ (2020) comedy performed in art festivals, ‘21 Black Futures’ produced by Obsidian Theatre and CBC Arts, (2021), mini-TV series ‘The Coroner’ season four on Netflix (2022). She has participated in cabaret events including the 2019/2024 ASL Deaf Drag Performance, Rainbow Senior Showcase, and Criptonite at
Buddies in Bad Times Theatre in Toronto, Ontario.
Her areas of expertise include interdisciplinary visual artist, art accessibility consultant
Deaf LGBTQ/racialized marginalized Indigenous, Black, People of colour, Sign Language Translation for theatre, Interpretation and Promotional vlogs, Panellist and presenter for workshops, emerging art curator, and activist for Indigenous and Black Deaf art community to expand Indigenous and Black Deaf artists representation. Courage has participated as an art collaborator with numerous theatre and film productions focusing on breaking down barriers for Indigenous and Black Deaf Artists in Canada.
She has participated in Leelee Oluwatoyosi Eko Davis and Donna Michelle Bernard's method of social justice community. Natasha was one of the winners of Canada’s Top 100 Black Women to Watch by the Canada International Black Women Event (CIBWE) 2019. She continues her journey of self-discovery in her art. -

Ebony Gooden
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Jaideep Goray
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Joao Paulo
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Juan Jaramillo is an award-nominated Deaf director, writer, and performer of Afro-Indigenous Colombian heritage based in Ontario. Founder of Dancing Hands Theatre, his work centers on ASL storytelling, Deaf performance, and community engagement. Juan has presented work across Canada and Colombia and is a 2025 recipient of the Christine Karcza Disability Leadership Award. His signature works include Fernando and His Llama Friend and But the Truth Is. He offers rich workshops that integrate movement, Deaf expression, and ASL-poetic rhythm. Juan champions access and mentorship in Deaf arts and is known for dynamic, inclusive creative spaces.
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Gaitrie Persaud-Killings is a Tkaronto-Guyanese-raised Deaf actor, activist and mother of three based in Tkaronto. An ASL coach and ASL music performer, she is also the founder of Phoenix the Fire, a theatre and film community hub for BIPOC Deaf artists, where she is building the support structure she finds lacking in Canada. She splits her time between Tkaranto, Ontario with her family and Atlanta, Georgia where her husband resides.
Gaitrie is currently a news presenter on Sign 1news in Atlanta, Georgia as well as a regular on Nickelodeon Jr. Blues Clues & You and CBC Gem’s Silly Paws, she is also on Squeaky Wheel Canada as Arianna and her documentary film on Breaking Characters on AMI.?
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Robert Haughton is a Black Jamaican-American Deaf artist, performer, and storyteller based in Milton, Ontario. His multidisciplinary practice spans ASL performance, theatre, visual vernacular, movement arts, and film. Robert’s work celebrates Black Deaf identity while creating bold, accessible art that connects communities.
His artistry blends performance, accessibility, and advocacy, giving voice and visibility to the Black Deaf community. In addition to performance and ASL interpretation, Robert is expanding his creative practice into playwriting and storytelling, developing original works that center Deaf and Black experiences. -

Teagan Ariss is a Hard of Hearing contemporary dance artist and arts educator who is attentive to the intentional and involuntary communicative ability of movement. She is based in Tsi Tkarón:to/Toronto and has presented work in Toronto, London, ON and Edmonton, AB.
She has danced in work by Rock Bottom Movement, Laura Arend, Sadie Cahill and collaborative projects with Meaningful Movement collective. In 2021, she graduated from York University’s BFA dance program, where she was most impacted by the teachings of dance artists Syreeta Hector, Tracey Norman, Susan Lee and Freya Björg Olafson.
Teagan values artistic accessibility as a way to reach folks who may not normally engage with dance due to lack of opportunity. She is also a passionate facilitator of creative movement for youth and older adults and is deeply inspired by witnessing creativity and learning at different stages of life across different abilities.
the team
& thank yous
Technical Direction by Angela Xu
Production by Lauren Runions
Love-In Team: Leelee Oluwatoyosi Eko Davis & Johnny Forever
Front of House: Emily Duckett
We send our deep gratitude
& thanks to:
Canada Council of the Arts
Toronto Arts Council
Antoine Hunter
David Bobier & Jim Ruxton of Vibrafusion Lab
Our board
Lovers for Life
Pia Bouman’s School of Dance
The artists in tonight’s series
& you for supporting the local dance community
Love-In gratefully acknowledges that we are living, working, dancing and gathering on traditional Indigenous territory known as Tsi' Tkaronto, “Where the trees meet the water” & “The Gathering Place.” This land belongs to the Wyandot people, Haudenosaunee, Anishinaabeg, and Mississaugas of New Credit. We recognize them and any other Nations (acknowledged and unacknowledged, recorded and unrecorded) as the past, present and future caretakers of this land. Love-In stands in it's commitment to honour with our actions, do our utmost to provide safer spaces, meet our diverse community members with respect, and to act in good and reciprocal ways with our Indigenous community members. We will uplift and uphold Treaty agreements to the best of our abilities, and to continue to do better as we know better.